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[Theologe]

Bei Almost Human bin ich ein wenig überrascht, aber das klingt jetzt eher nach Platzmangel. Aber es freut mich, wenn Karl Urban und Minka Kelly wieder frei sind. Eine Verlängerung von Dads wäre schon ein Skandal. Da scheint Seth MacFarlane ja wirklich eine menge Macht zu haben. Aber wer FOX 500 Episoden für die Syndication beschert hat, hat wohl mal einen gut.

[Stefan]

Wenn die Dads wirklich verlängern, müssen ihre Sitcom-Pilots alle wirklich ziemlich sucken

[AlphaOrange]

Wenn Dads verlängert wird, möchte ich wirklich mal gerne wissen, was für eine Strategie dahinter steckt. Schon die Verlängerung von allen anderen FOX-Comedies außer New Girl (und das sticht auch nur noch aus Syndication-Aspekten hervor) - ist aus Quotensicht zweifelhaft. Beim aktuellen Trend wird das komplette FOX-Comedy-Lineup nächste Season in die 0.x Region fallen und es macht nicht den Eindruck, als ob die irgendeinen Comedy-Piloten in der Hinterhand hätten, der einen ganzen Block pushen könnte.

[str1keteam]

Falls Dads verlängert wird, kann es wirklich nur Teil eines Deals mit MacFarlane sein.
Family Guy hat ja immer noch keine offizielle Verlängerung und sein Vertrag (über die laufenden Serien hinaus) mit 20th Century Fox ist auch schon eine Weile ausgelaufen.

[phreeak]

blöd für Almost Human.. Kp ob ich die Serie nun gucken soll oder nicht. Steht auf meiner Nachholliste.. Abr denk werde se runter werfen.



jaja, Serienjunkies..Aber lese auch deutsche Newsseiten. Weiss nicht obs schon gepostet wurde, nicht alles in letzter Zeit hier im Thread gelesen.

http://www.serienjunkies.de/news/netfli ... 59474.html

Die 4 Superhelden Serien auf Netflix spielen im MCU, wie Shield. Fände ja nen Shield-Crossover sehr interessant....

[str1keteam]

Lol, nach der Starz Variante bringt HBO auch das Original Project Greenlight zurück.

http://www.deadline.com/2014/04/project ... producing/
‘Project Greenlight’ Returns To HBO For New Season With Ben Affleck & Matt Damon


HBO seems to be going through the list of shows it may have short-shrifted for being ahead of their time and giving them a second chance. With a new installment of cult 2005 comedy The Comeback in final negotiations, the pay cable network announced this morning that it will be bringing back 2001 filmmaking documentary series Project Greenlight for a new season. It will be executive produced by Ben Affleck and Matt Damon, executive producers of the original two seasons.

“Project Greenlight was ahead of its time,” Affleck said. “Now that technology has caught up to the concept, we thought it was a perfect time to bring it back. A whole new generation of filmmakers has grown up sharing everything, and the next big director could be just an upload away.” It is worth noting that when the first two seasons of Project Greenlight were done more a decade ago, Affleck and Damon were actors-writers. Now Affleck also is a respected feature director. “Project Greenlight works,” Damon said. “Careers have been launched and sustained as a direct result of this contest. Pete Jones, John Gulager, Patrick Melton and Marcus Dunstan are just a few of the PGL alums who’ve gone on to do great things in Hollywood, and Ben and I are really proud of that.”

HBO’s Project Greenlight pickup comes on the heels of rival Starz announcing the similar 10-episode The Chair, created by Project Greenlight executive producer and former Affleck and Damon producing partner Chris Moore, as its first unscripted series. The competition documentary series, which follows two directors through the process of bringing their first feature to the screen, premieres this fall.

Spanning the entire filmmaking process, Project Greenlight takes an uncensored look at the challenges facing a first-time director. The show begins with a digital competition, following the winner from pre-production and casting through principal photography and post-production. Equipped with a Hollywood-vetted script and surrounded by a team of industry professionals, the fledgling director must learn to cope with pressure from the studio and producers, survive on-set politics and lead a veteran cast and crew, all while trying to deliver a viable movie – on schedule and on budget. The series will be produced for HBO by Adaptive Studios, Affleck and Damon’s Pearl Street Films, and Miramax. , Affleck and Damon executive produce with Adaptive Studios’ Marc Joubert, TJ Barrack, Perrin Chiles and Marshall Lewy, and Miramax’s Zanne Devine.

http://www.hollywoodreporter.com/live-f ... -dc-698759



Syfy Adapting Frank Miller's DC Comics Series 'Ronin,' and Oni Press' 'Letter 44'

Following Darren Aronofsky's attempt to remake the samurai drama for the big screen, Syfy will produce DC's six-issue comic series Ronin as a potential miniseries. From Warner Horizon Television and DC Entertainment, Ronin was written and drawn by Miller (Sin City, 300). The comics, which were published every six weeks between 1983-84, centers on a legendary warrior -- the Ronin, a dishonored, masterless 13th century samurai -- who is mystically given a second chance to avenge his master's death. He finds himself suddenly reborn in a futuristic and corrupt 21st century New York where he must defeat ancient demon Agat, the reincarnation of his master's killer.


Syfy's takes place eight centuries after a Japanese Ronin samurai failed to protect his master from a demon. He awakens in a futuristic, nihilistic New York in the body of Billy, a medical experiment. Now Billy/Ronin is chasing the demon, which has reawakened. Both parties want control of a sword with magical properties and will stop at nothing to get it back.



A search is under way for a writer and the exact number of episodes in the Syfy miniseries has not yet been determined.

Meanwhile, the Ronin film adaptation has been lingering in development at New Line since 1998. Joby Harold and Chad St. John most recently signed on to pen the script with Gianni Nunnari on board to produce.

For Miller, this would mark the prolific and award-winning comics scribe's first title to be adapted for TV. His works have been turned into several feature films, including Sin City and its sequel, Daredevil and 300.

Meanwhile, the network is developing Oni's Letter 44 as a series. The drama is based on Charles Soule's ongoing monthly series that launched in October. Terminator 3's Jonathan Mostow will pen the script, exec produce and direct the pilot, should it move ahead. The story revolves around Stephen Blades, the new president of the U.S. who learns, via a letter from his predecessor, that seven years earlier, NASA discovered an alien construction project in the asteroid belt. A crew of heroic astronauts was sent to investigate and they're nearing the conclusion of their epic journey.

Scott Pilgrim vs. the World's Eric Gitter and Peter Schwerin (The Flock) will exec produce via their Closed on Mondays banner. Terra Nova alum Rene Echevarria is also on board to exec produce the Universal Television and Universal Cable Productions co-production.



For Syfy's part, Ronin would mark the network's latest miniseries and join Ascention, a six-hour space opera. Letter 44 would be a natural fit for the cabler, which is looking to return to its sci-fi/fantasy series roots that it once ruled with Battlestar Galactia. Syfy has been busy in the past few months, adding series pickups to zombie drama Z Nation and space drama The Expanse. The network also has a new slate of originals that includes Dominion and 12 Monkeys, both based on feature films; as well as mythology drama Olympus joining a slate that includes Helix, Lost Girl, Defiance and more.

http://www.deadline.com/2014/04/syfy-de ... ns-series/

Ahead of its upfront presentation today, Syfy has put in development Pax Romana, a miniseries based on the graphic novel by Jonathan Hickman, and The Magicians, a drama series based on Lev Grossman’s popular fantasy novels. Pax Romana is being adapted by writers Matthew Federman and Stephen Scaia (Warehouse 13) and syfylogo1Circle of Confusion, while The Magicians hails from former Supernatural showrunner Sera Gamble, John McNamara (In Plain Sight) and producer Michael London. Both projects are set at Universal Cable Prods.


Based on Hickman’s comic book limited series published in 2007, Pax Romana is about a Special Forces team that travels back in time to Ancient Rome on the eve of World War III to “fix” the future by altering the past. Roman legions battle modern day attack helicopters, tanks and soldier as the leaders of the expedition fight over their vision for civilization. David Alpert of Circle of Confusion (The Walking Dead), Federman and Scaia executive produce, Hickman co-executive produces. Federman, Scaia and Circle of Confusion are repped by CAA.


Based on Grossman’s books, described as Harry Potter for grown-ups, Magicians follows a group of twentysomethings in New York who study magic and discover that the magical fantasy world they read about as children is real and poses a grave danger to Earth. Gamble and McNamara will write the script and executive produce with London. London had optioned Grossman’s first novel after it was published in 2009 and originally set it up at Fox in 2011 with different writers. A sequel novel, The Magician King, was published in 2011.

Syfy has been ramping up its original slate with recent pickups of The Expanse, Ascension and 12 Monkeys, renewal of Helix, as another recently ordered series, Dominion, is set to premiere soon.

http://www.deadline.com/2014/04/syfy-pi ... -killjoys/
Syfy, which will be holding its upfront presentation later today, continues to aggressively build a scripted primetime lineup with the addition of new 10-episode adventure drama series, Killjoys, which will premiere in 2015.


Originally ordered by Bell Media’s Space in Canada, Killjoys comes from the producers of Orphan Black, Temple Street Prods., and the creator of Lost Girl, Michelle Lovretta. It follows a fun-loving, hard living trio of interplanetary bounty hunters sworn to remain impartial as they chase deadly warrants throughout the Quad, a distant system on the brink of a bloody, multiplanetary class war. “With its explosive action, smartly-drawn characters, and fun and provocative story-lines, Killjoys has all the ingredients to make it the perfect complement to our expanding slate of quality science fiction drama series,” said Syfy president Dave Howe.

Killjoys wohl nur ein Low Budget Einkauf.

[redlock]

Syfy rüstet in einem Ausmaß auf, der mich mittlerweile sehr überrascht und beeindruckt. Selbst wenn die Serien nicht die teuersten sein sollten. Das ist eine beeindruckende Programmoffensive. Ob sie sich auch auszahlen wird? Ob Quoten um 0,4 bei A18-49 dann für eine S2 reichen werden?

[Theologe]

Syfy rüstet in einem Ausmaß auf, der mich mittlerweile sehr überrascht und beeindruckt. Selbst wenn die Serien nicht die teuersten sein sollten. Das ist eine beeindruckende Programmoffensive. Ob sie sich auch auszahlen wird? Ob Quoten um 0,4 bei A18-49 dann für eine S2 reichen werden?

Ich nehme mal an, dass die jetzt erstmal eine große Schaufel an neuen Serien ausheben und dann aussieben. Ich kann mir nicht vorstellen, dass Syfy damit rechnet alles in S2 zu schicken.

[redlock]

Syfy rüstet in einem Ausmaß auf, der mich mittlerweile sehr überrascht und beeindruckt. Selbst wenn die Serien nicht die teuersten sein sollten. Das ist eine beeindruckende Programmoffensive. Ob sie sich auch auszahlen wird? Ob Quoten um 0,4 bei A18-49 dann für eine S2 reichen werden?

Ich nehme mal an, dass die jetzt erstmal eine große Schaufel an neuen Serien ausheben und dann aussieben. Ich kann mir nicht vorstellen, dass Syfy damit rechnet alles in S2 zu schicken.

Ist bei der Anzahl der Projekte in der Tat wenig wahrscheinlich. Umso interessanter wird sein, was für Quoten sie einfahren werden -- und was die ''Quotenrealität'' für Syfy sein wird.


[quote]10 TV Pilots Likely to Score Series Pickups[/quote]
http://www.hollywoodreporter.com/live-f ... ies-700602

[redlock]

Da die Serie zu Saison 2013/2014 gehört, setze ich es hier rein:

What 'Star-Crossed' Season 2 would've been

http://www.zap2it.com/blogs/star_crosse ... hs-2014-05

Sehr schön, dass Meredith Averill erzählt was sie für S2 (und darüber hinaus) geplant hatte.

[zvenn]

What 'Star-Crossed' Season 2 would've been

http://www.zap2it.com/blogs/star_crosse ... hs-2014-05

Sehr schön, dass Meredith Averill erzählt was sie für S2 (und darüber hinaus) geplant hatte.

Sowas würde ich öfter mal gerne lesen. Warum macht das eigentlich niemand? Angst vor Ideenklau oder doch Hoffnung auf eine Fortsetzung?

[Theologe]

What 'Star-Crossed' Season 2 would've been

http://www.zap2it.com/blogs/star_crosse ... hs-2014-05

Sehr schön, dass Meredith Averill erzählt was sie für S2 (und darüber hinaus) geplant hatte.

Sowas würde ich öfter mal gerne lesen. Warum macht das eigentlich niemand? Angst vor Ideenklau oder doch Hoffnung auf eine Fortsetzung?

Fehlendes Interesse der Macher. Für die meisten ist das ein Job und wenn der zu Ende ist, geht es auf zu neuen Ufern.